For many of the artists and intellectuals working in mid-twentieth-century Paris, there was no topic more captivating than that of sacred presence. The public lectures of Henri Bergson had awakened the idea that experiential contact with what he called l’Absolu was indeed possible, and despite the skepticism emanating from the nearby Sorbonne, this prospect was thrilling. Some went on to write about their own inner lives, like Raïssa Maritain whose extraordinary Journal recounts thirty years of locutions and visions, and eventually, a sense of actually incorporating the person of Christ into her own body and soul.