Anna M. Gade’s portal raises questions about forms of instrumentality and the nature and role of intention in framing various Muslim prayer practices. The five daily prayers called salat have generally been understood as minimally instrumental and considered by many jurists to be opaque to rational analysis; salat is about worship, not petition. Around salat, we might envision concentric circles of prayer types with increasing degrees of instrumentality, along with increasing local variation and, at times, levels of controversy, beginning with istiska, du`a, and qunut, moving through salawat and dhikr, and so forth. As we see in Gade’s work, practices viewed today as further from normative types may be classified as “culture” to protect “religion” from suspicions of heterodoxy.